Full House At Seneca Casino
NYA:WEH
NAMA 10: This year's awards show celebrated our Tenth Anniversary. Each year all of us leave our regular jobs, lives, and responsibilities and come together as a family to put together our Annual Awards show. Only those that actually work the show truly know what goes into it and the stamina, stress, and committment involved. Seeing all the participants and nominees brings a feeling of unity among us - like an annual family reunion. We had a slightly different show this year - one we thought would be easier going in, but turned out to be a highly complex event to put together. We were truly honored by the contributions of all the Native artists, presenters, dancers and mainstream artists that graced our stage, served as role models, and provided greater inspiration for our young and aspiring artists on the rez. We are extremely grateful and thankful for the wondrous hospitality and generousity of the Seneca Niagara Hotel & Casino, Karen Karsten, Dea Kuhl, Rob Armstrong and the Seneca Nation of Indians. They provided us all with first class accommodations.
The first half of the show had some technical and talent flaws. Our video switcher was slightly off on imaging the beginning of Robert Tree Cody's Honor Song which showed photos of those that had passed on to the spirit world including Floyd Red Crow Westerman, Tree's friend Ruben Romero, Sharon Burch, and Jim Boyd Jr. As for the sound problems, they were shared by us, the house and the artists themselves. It wasn't just a problem of turning on or off a microphone - it was much more complicated to the point that the house production had to call the manufacturer of the sound board during the show. The house sound system we were using was a $350,000 digital board that needed to be shut down and reset in order to fix the sound problem (like a computer when it freezes). We waited until intermission to do so - which unfortunately was 2 hours later. Other sound problems existed with the artists - Edmund Bull's guitar volume button needed to be turned up, Johnny Curtis' pick ups had a bad battery and his guitar cable wasn't fully plugged into his amp. He finally remedied it by the end of his performance.We did have a house monitor problem - that one's on the house. Thanks to the suggestion of Rob Robinson with Rickey Medlocke, we are currently discussing having a back up analogue sound board and hiring a Technical Stage Director since our technical needs are growing. Once the second part of the show commenced and our superstars took to the stage - all technical difficulties disappeared, the show became smooth sailing, and people got out of their seats to dance. Some other talent glitches occurred such as the presenter of the Lifetime Achievement award not being in his seat when our escorts could bring him backstage. We even had the house ushers search with no avail. Thanks to Leon Thompson who ran on stage to read the teleprompter lines, Johnny Curtis was presented with his award. We learned, next time we skip the segment when we can't find the presenter and put it in later. Once we're done editing this show for the international broadcast - it will look perfect. We also heard some rumblings why certain categories weren't presented in the show. Here's why - each year we try to alternate which of the 30 categories will be presented as we just don't have enough time in one evening to do them all. Winners and nominees who are in attendance are all given equal stage time - meaning if you perform its likely we will not present the category you are in. We like to give everyone there some stage time. Regardless, by the end of the evening we presented only 12 categories (there was a total of 35 this year) and our show was still 4 hours! A couple of years ago we began to present some of the awards in a pre-event evening before show to help distrubute the awards better. This year, many were still not in attendance by Friday and we're now considering doing these presentations during the day on Saturday after dress rehearsal and before the actual show. But we'd need a seperate crew to do this as we are all tied up with preparing for the show itself. We're also discussing bringing back a Red Carpet Entrance for all the artists next year. Here are the highlights - opening Thanksgiving Address by Seneca tribal member Clayton Logan. Grand Entry style opening with the Tuxedo suited Young Gunz drum group joined by over 25 dancers. Thank you Jeanette Miller and Friends of Gonondagan for all your help and coordination. Iroquois Dancers with Solon Spruce singing this year. Robert Tree Cody's Honor song honoring those who have gone to the spirit world including most recently; Floyd Red Crow Westerman who was at our first show, participated in our NCAI show, received a Lifetime Achievement Award at our fifth show, and last year received his last honor with Best Country Recording. (He personally called us then to say how grateful he was and explained that he could not be there due to his ill health). Buddy Big Mountain and Wendall Snobgrass are always a welcome addition. This year, two of Buddy's new friends made their NAMA debut; Forest Red Lightning and the Red-Haired Lion. For the second time in our history, we had some hip hop dancers take the stage during a Rap/Hip Hop performance - made us really look Grammy-like. NightShield did a great job of producing the segment - thank you! The Cherokee National Youth Choir last performed on our stage five years ago when they were the Cherokee National Children's Choir and were later joined by Star Nayea and her friends. The Choir were so happy backstage when they found out they won. One of the most poignant and genuine moments was with Jan Michael Looking Wolf who accepted his Flutist of the Year award on behalf of JJ Kent's late wife who tragically died this year and embraced Kent there. Following the announcement of the unpresented categories (only 11 of which were remaining unannounced as we presented 11 others in a private event on Friday night), we started the second half of the show with Native Roots opening - Joanne Shenandoah in a beautiful rendition of "At Last" with traditional dancers dancing slow style, and then on to our Hall of Fame inductions and performances of Felipe Rose (Lakota/Taino), Janice Marie Johnson (Stockbridge Munsee) who cried almost the entire time of her recipient speech, Redbone (Yaqui, Shashone, Mexican) and Rickey Medlocke (Lakota/Creek) who was presented with his award by Houston Geronimo & Lance White Magpie (descendants of Geronimo & Crazy Horse). For all of us working backstage and side stage, we truly can't hear what's happening on the stage - we watch the monitors and keep on working to make sure everything is running as scripted. We finally get to see the results of our efforts when we look at these pictures (Thankyou Kim!) and watch the video tape (Thankyou Andy!) afterwards. This year we had a live internet broadcast thanks to Mike Kickingbear Johnson and Andy Anderson (whose been with us since NAMA 1). We're just not so sure there was a place for a chat room during the broadcast. We know 3000 people watched directly from our site. The jury is out on the others who were making offensive and distracting comments during an otherwise professional broadcast. As this was the 10th Anniversary, we wanted to do something BIG -so we had the four Hall of Fame inductions. We originally were aiming at five with Jesse Ed Davis (Kiowa) but John Trudell's band was already booked. In previous years we've only done one HOF induction per show. Sometimes none. Previous Hall of Fame inductees include: Buddy Red Bow whose parents attended our first show, Jim Pepper who was inducted at our Third show with a beautiful tribute performance, held by Mickey Hart, John Densmore, Rita Coolidge, BIll Miller, Joanne Shenandoah, Jim Boyd and many others. Crystal Gayle & Kitty Wells have both attended our shows and Richie Havens did an incredible tribute performance for Jimi Hendrix at our first show. Hendrix by the way inspired Redbone to put together their band. Full circle. After it was all over, everyone's feet were throbbing but most of the staff went to the post show party including; our founder, Ellen Bello who stayed at the VIP party till closing - that was the first time she stayed out so late after a show. She said the VIP party was incredible and loved watching all the evening jams including Jimmy Wolf & Chris Wray Webb (Link Wrays Grandson) go right into RUMBLE and Tracy Bone, Digging Roots' Shoshana Keech and Cheryl Bear do a closing finale of PROUD MARY. WOW! Thanks to Jan Michael Looking Wolf for coordinating it all. After a couple of hours of sleep - some of the NAMA team regrouped, went to Niagara Falls and on a boat ride on Maid of the Mist. PURELY AWESOME TO SEE. Later on Sunday evening, they saw the Village People perform at Seneca Casino (without Felipe with his swing Angel standing in, who turned out being a friend of Wayquay's) and all did the YMCA together. That night they shared jokes, exchanged stories, lived, loved and laughed and went home in all different directions the next morning. Donald, Andy and Mike Kickingbear Johnson will soon start efforts about an edited version of the show to rebroadcast on the internet as well as Donald doing another edited version for national television and cable broadcast to resecure and expand our international audience, possible DVD and/or CD. Now were all back to our day jobs and regular lifestyles, decompressing and hopefully resting until we start to regroup again next year. More pictures to be posted shortly. More Volunteers Needed! All photos copyright 2008 Native American Music Awards Inc., 2008 Kimberlie Acosta, 2008 David Miller. No photos may be used without written permission from the copyright owners. |
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HONOREES & PERFORMERSJANICE MARIE of Taste of Honey - Janice-Marie is the founder and principal songwriter of the internationally acclaimed group A TASTE OF HONEY. A TASTE OF HONEY’s self-titled debut release rocked the record industry with the multi-platinum smash hit "Boogie Oogie Oogie," a Janice-Marie penned composition. The song garnered the group a Grammy for "Best New Artist of the Year," and nominations for "Best R&B Single" and "Best Vocal Performance by a Group or Duo." Their second release, Another Taste earned international acclaim as did their third release, Twice As Sweet. Through the years, Janice-Marie's songs have been covered, sampled and borrowed many times. Her music of yesterday contributes greatly to the success of numerous 'R&B,' ‘Pop,' 'Rap' and 'Hip Hop' hits of today including; Ice Cube, Mary J. Blige, MC Lyte, Yo-Yo and a multitude of other international artists. Janice-Marie has remained in the spotlight with the releases of her Native American / Pop CD efforts, Until The Eagle Falls and Hiatus Of The Heart, on Tastebud Records. “Until The Eagle Falls”, was written as a gesture of gratitude to all of the people who took part in a magical weekend in Gallup, New Mexico. That’s where, through the embracing of her people’s songs and dance, the spirit of this ancient ancestry impacted Janice-Marie’s heart, mind and soul. In celebration of her Stockbridge-Munsee-Mohican heritage, Janice-Marie weaves legendary Native American mythology about how the eagle NEVER falls (and a haunting melody) into a tranquil and precious ballad of devotion…eternal…a love song for the ages. The award-winning “Until The Eagle Falls” CD and Music video garnered Janice-Marie with a 2002 Native American Music Award for ‘Best Producer.” Today, her music has also been showcased on a host of television programs including; “American Idol "All My Children,” and in movies such as; Roll Bounce”, "Contact" and "54,". Commercial credits include; Coca Cola, Burger King and others. Janice-Marie takes her place in center stage with a style and grace that is all her own. She has been performing to sold-out crowds from the east coast to the west coast. Her shows are exciting and uplifting, with her natural gift of wooing the audience, she commands their undivided attention and leaves everyone wanting more. FELIPE ROSE of VILLAGE PEOPLE - Felipe Rose is best known as the co-founder and Native American Indian attired vocalist in the world famous VILLAGE PEOPLE, who are now heading into their third decade as the Ambassadors of Disco. Felipe’s unique style honors the heritage of his Puerto Rican mother and Native American father (Lakota Sioux). Felipe has been called a "shadow walker", a Native term for walking in two worlds. VILLAGE PEOPLE became an instant phenomenon with their mega hits "San Francisco/Hollywood", "Macho Man", "Y.M.C.A.", "In the Navy", "Go West" and more. As the group's founding member, Felipe is much credited with being the inspiration of putting together the group. His keen visual sense and performance experience led to input and direction for the group’s entire concept. Today, the VILLAGE PEOPLE remain a pop culture mainstay of the music scene, touring the world and becoming a family of performers that brings Felipe camaraderie and consistency of life while Felipe also continues his own personal journey of projects and gifts honoring his heritage. In 2001, Felipe "Swift Arrow" Rose co- wrote and co-produced the single, Trail of Tears on Tomahawk Records which was nominated for three Native American Music Awards. Felipe was given the honor of opening the Fifth Annual Native American Music Awards (2002) and brought the crowd to its feet. That evening he took home the Award for Best Historical Recording. In 2003, Felipe released his follow-up effort, We're Still Here: The Virginia Indians Tell Their Story. Nominated for five Native American Music Awards, he and his collaborator Frosty Lawson brought home the award for "Song/Single of the Year". In 2005, Felipe released a tribute CD for the late Thomasina E. Jordan which earned him three Native American Music Awards including "Songwriter of the Year." In January 2005, Felipe donated a gold single of the band's 1978 hit signature song "Y.M.C.A." to the Smithsonian's National Museum of the American Indian in Washington, D. C. "I want to leave something for my indigenous hertitage, " Rose reported to National Public Radio. In February, 2006, he donated the VILLAGE PEOPLE's first gold record, a feathered headdress, and tour jacket from his personal collection to the Seminole Tribe of Florida’s Hard Rock in Hollywood, Florida. RICKEY MEDLOCKE of Lynyrd Skynyrd - Rickey Medlocke has been performing onstage since he was 3 years old. His grandfather was well-known Delta blues musician, Shorty Medlock. Rickey accompanied Shorty on the air, and at live shows, and over the years his musical talents and natural abilities grew. By age 5, Rickey had taught himself how to play guitar and by age 8 he was playing drums in Shorty's band, playing local dances and auditoriums. Rickey’s love of music and performing pushed him to excel not only at the banjo and guitar and drums, but at a variety of instruments; mandolin, dobro, keyboards, and particularly the guitar. In addition, Rickey has been gifted with a melodic singing voice. When he graduated from high school, there was a blossoming music scene in southern Florida, and Rickey couldn't resist. He formed a band with his childhood friends and called it Blackfoot in honor of their Native American heritage. Rickey (Lakota/Creek) had also grown up with the members of another Jacksonville band, Lynyrd Skynyrd, and when Blackfoot's attempts to move to the northeast didn't seem to be successful, he called Skynyrd leader Ronnie Van Zant who asked him to come play drums with the soon to be legendary band. Rickey wrote and sometimes sang with Skynyrd, but his energetic, charismatic performing personality eventually lead him to re-form Blackfoot, where he sang and played lead guitar, in addition to writing or co-writing most of the songs. Blackfoot was a southern band, but they were a hard rock band and that helped pave the way for their success and incessant international touring. With featured hit singles like "Train Train", "Highway Song" and "Fly Away", Blackfoot have sold 5 million records throughout their career. By the early 1990s, Rickey finally decided to break up the band and thought about pursuing his other career goals including acting. However, a phone call from Lynyrd Skynyrd founder, Gary Rossington inviting Rickey to rejoin the band, this time as lead guitarist and as one of the primary songwriters, was something he could never turn down. Since Rickey rejoined the band in 1996, Lynyrd Skynyrd has been enjoying a major resurrection, and to date, the band has sold almost 40 million albums worldwide. In 2000, Rickey decided to pursue acting. William Shatner cast him in his first role, the recently released Groom Lake. Since then he has appeared on TV, several other films, and in print ads and radio commercials. In his limited spare time, Rickey is working on a book about his music career and on a solo album. PAT VEGAS of Redbone - With 15 recordings to their credit and covers by the Real McCoy, Earth Wind & Fire and Cyndi Lauper,co-founding members Pat Vasquez and his brother Lolly created Redbone, the first commercially successful Native American rock group with an unparalled career spanning over 40 years. Pat Vasquez and his brother Lolly are of Yaqui, Shoshone, and Mexican blood. Their early recordings featured contributions from Glen Campbell, David Gates, and Leon Russell. They performed session work with Sonny and Cher, and contributed instrumentals on the Elvis Presley film soundtrack for Kissin' Cousins. Their first full-length album, Pat and Lolly Vegas at the Haunted House, was produced by Leon Russell and Snuff Garrett. The Vegas brothers met guitarist Tony Bellamy, a Yaqui Indian and a member of Peter and the Wolves in Los Angeles who had grown up in a family of dancers and musicians, and recruited him for session work with John Lee Hooker, and the Everly Brothers. According to Pat, it was Jimi Hendrix who talked the musicians into forming an all-Native American rock group. The group hired Pete "Last Walking Bear" DePoe, a Cheyenne drummer from Neah Bay Reservation, Washington. Taking its name from a Cajun epithet for "half-breed," the group Redbone signed to Epic Records in 1969, and released their debut album, Redbone, in 1970. The follow-up album, Potlatch, featured the song "Alcatraz," which dealt with the 1969 occupation of Alcatraz Island. Their first commercially successful singles were, “Maggie,” and "Witch Queen of New Orleans" (1971) which also became a huge hit in the United Kingdom. In 1973, Redbone released the political, "We Were All Wounded at Wounded Knee” which reached the #1 chart position in Europe. By 1974, Redbone had reached the Top 5 of the Billboard Hot 100 charts with "Come and Get Your Love”. The Pop/Funk/Disco song was certified Gold by the R.I.A.A for selling over one million copies and is still heard today on radio stations and commercials throughout the country. Drummer DePoe was replaced by Arturo Perez on Already Here (1972). Perez was replaced on Wovoka (1974) by Butch Rillera. (Wovoka contained the band's most successful single, "Come and Get Your Love,") In 1998 members of the group appeared as special guest performers at the inaugural Native American Music Awards. Today, Pat Vegas performs live with members of the rock group, Cannibal and the Headhunters. CHEROKEE NATIONAL YOUTH CHOIR - The Cherokee National Youth Choir is made up of 50 Cherokee young people from northeastern Oklahoma. The Choir members are middle and high school youth between 6th and 12th grades and perform traditional Cherokee songs in the Cherokee language. The Choir came into existence from the vision of Principal Chief Chad Smith, who saw it as a way to keep children involved in their language and culture. Founded in 2000, the group has recorded six CDs, including Voices of the Creator’s Children, featuring two-time Grammy® Award winner Rita Coolidge, which garnered two Native American Music Awards nominations and a win for “Best Gospel Christian Recording” in 2002. Their second CD, Building One Fire won the award again in 2003. Their fifth CD, Comfort and Joy won the award for “Best Gospel or Inspirational Recording” at the Native American Music Awards in 2007. Their current CD, Precious Memories, is their sixth full-length album. The choir has performed at many prestigious events and venues across the country including; the Macy’s Day Parade, in November 2007, and for President Bush at the White House. TRACY BONE - Winnipeg-born resident, Tracy Bone is a member of the Keeseekoowenin Ojibway First Nation in Canada. This Native Canadian Singer/Songwriter has integrated Country / Pop / Soul influences with lyrics that translate her “real woman” perspective on life. Tracy’s debut album, No Lies (Arbor/EMI) conveys realism and a passion that speaks to honesty in relationships. Her project has garnered multiple nominations and awards both in the United States and Canada since its release. Nominated for Best Female Artist and Best Country Recording, Tracy will be joined by multi-nominated Singer/Songwriter, James "J.C." Campbell in a collaborative performance. James “J.C.” Campbell is of Cree/Ojibway and European decent. He has been nominated for "Best Male Artist" and "Best Producer" in the 2008 Native American Music Awards for his recording, Lazy James. This Native Canadian's smoky pipes are reminiscent of the Bluesmen of past. J.C.'s soulful vocals ring honesty. Captivating audiences with his refreshing live performances, he has been humbly referred to as a trubadour. ROBERT TREE CODY - Five Time NAMA Winner Robert “Tree” Cody--traditional name Oou Kas Mah Qwet (Thunder Bear), is a flutist, singer, dancer, artist, educator and actor, who has performed throughout North, South and Central America, Eastern Asia, and Europe,. As a traditional dancer, 6 foot 10 inch “Tree” is very active on the powwow circuit. An enrolled member of the Salt River Pima Maricopa Community and of Dakota heritage, “Tree” lectures to many reservations, museums, and universities throughout the United States and Canada sharing his knowledge of Native American culture, songs, dances and music. His father was the late, Iron Eyes Cody, who appeared in more than 200 films and was the “Crying Indian” in the Keep America Beautiful TV campaign in the 70s. A versatile flute player and gifted singer, “Tree” has twelve albums on Canyon Records and has won five Native American Music Awards including; Best Flutist in 2007 and Best Male Artist in 2001. His previous CD, “Native Flamenco,” the late Flamenco guitarist, Ruben Romero, won two Native American Music Awards in 2000, and “Maze,” Tree’s sixth album, won Best New Age Album in 1999. His latest CD, “Heart of the Wind,” was nominated for a 2007 Grammy®. JOHNNY CURTIS - Johnny Curtis is a Two-time Native American Music Awards Nominee and who has penned multiple records in the past three decades. JOHNNY CURTIS continues to be one of the leading voices in Native American Gospel music. As a pioneer, Johnny Curtis is the visionary behind Native American Gospel Music; blending rock, pop, and acoustic influences as well as incorporating lyrics capturing the nuances of life's trials and God's grace. Johnny brings humor, wisdom, and insight to his performances that blend worship, storytelling, and his trademark songwriting. A gifted speaker, Johnny is often featured not only for his immense musical talents but for his ability to share the Gospel and any number of other subjects with clarity and passion. Johnny currently is the Senior Pastor at Fort McDowell Christian Fellowship in Fort McDowell, Arizona and Evangelizes throughout Indian Country Ministering with Music. He resides in Fort McDowell, Arizona with his wife, and grandchildren. BUDDY BIG MOUNTAIN - Buddy Big Mountain is Mohawk and Iroquois. He is a self-taught ventriloquist who is internationally recognized as the first Native American master Ventriloquist Puppeteer. His blend of comedy, ventriloquism, singing, magic and hand crafted marionettes have delighted audiences from around the world and NAMA audiences over the years. He traveled the world with his family performing Native American dances in many countries. While in Switzerland, he and his family performed for the late Charlie Chaplin and his family. He produced his first production called, “The Mini Powwow and Gifts and Legends.” Buddy’s first video, “Stumbling Bear, the video” “Best Animated Short Film” at the Native American Film awards in San Francisco, CA and an award from the Wind and Glacier Voices II at the Lincoln Center, New York City. The marionette, Stumbling Bear, was the first marionette Buddy had built. Buddy has been a strong advocate for Education and the Performing Arts. His new show, “No Dummies Here” is an educational, entertaining show for youth audiences. He also has a workshop titled, “Legends in Shadows”, which is instructed by his wife Diana. NATIVE ROOTS - Native Roots was formed in 1997 by musician/songwriter John L. Williams (Sisseton-Wahpeton Sioux) and lyricist/vocalist Emmett "Shkeme" Garcia (Santa Ana Pueblo) to reach out with a message of pride, unity, and respect among all nations, through the universal language of music. This dynamic and award winning combination has produced three CDs that have propelled Native Roots into the international music scene as the premier Native American Reggae band whose music is 100% Native American written, produced, and performed. Musicians William Bluehouse Johnson (Isleta/Dine') on lead guitar, Carlo Johnson (Isleta/Dine') on bass, "Jay Son" Garduno (Azteca) on rhythm guitar, and Royce Platero (Dine') on drums, complete the group, each bringing his own unique style and creativity. Native Roots will continue creating and sharing their music throughout the world. Native Roots won a 2002 Native American Music Award (NAMA) for Best World Music Recording and their latest effort, Celebrate, has just received two nominations. EDMUND BULL - Edmund Bull is naturally talented in the art forms of traditional and contemporary music. He started his first band called the "Native Tones" when he was twenty one which became very popular in central Saskatchewan. Afterward, Edmund turned back to traditional pow wow singing and formed the renowned World Champion "Red Bull" singers. They were the featured drum group at the Inaugural Native American Music Awards in 1998. Accompanied by the Red Bull Singers, Edmund has performed throughout Canada, the United States and Europe, Russia, Poland, Finland and Sweden. He sings and composes music with thoughts and feelings to express his way of life on “Turtle Island”. Edmund’s contemporary recordings include; Indian Boy for which he was nominated Best Male Artist 2001 Native American Music Awards, and End Of The Trail which he was also nominated as Best Male Artist at the 2002 Native American Music Awards. Edmund has again garnered several nominations for his latest recording Follow Your Dreams. |
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TENTH ANNUAL NATIVE AMERICAN MUSIC AWARDS NOMINEES BY CATEGORY ARTIST OF THE YEAR Carroll Medicine Crow – Homeland Security Delbert Blackhorse – The Four Directions Jim Boyd – Blues To Bluegrass Johnny Whitehorse – Totemic Flute Chants Stevie Salas – The Sun & The Earth Terry Lee Whetstone – The Best of the Best BEST BLUES RECORDING Deep Downtown – Jimmy Wolf Goin’ For It – Terry Tsotigh Graywolf Blues Band – Graywolf Blues Band Hold The Rain – Pura Fe’ Levi Platero – Levi Platero & The Plateros Sir Harrison & The Blues Kings – Sir Harrison & The Blues Kings BEST COMPILATION RECORDING Calling All Dancers – Northern Cree & Friends Heart of the Bitterroot – Various Navajo Christmas – Todi Neesh Zhee Singers Old Style Round Dance Songs – Various The Best of the Best – Terry Lee Whetstone (2) The Native Hip Hop Hour Volume One – Various BEST COUNTRY RECORDING Follow Your Dreams – Edmund Bull Mysterys – QuaTiSi No Lies – Tracy Bone Still No Good – The Red Corn Band Crystal Shawanda – Crystal Shawanda DEBUT ARTIST OF THE YEAR Blu – Rez Life Cheryl Bear – The Good Road Chucki Begay – Songs From My Heart Ghosthorse – KSA Gilbert Begay Sr – Traditional Navajo Shoe Game Songs Slavior - Slavior DEBUT GROUP OF THE YEAR 191 N. – 5 Bucks Gas Injunuity – Unconquered Moon Lodge Singers – Cultural Legacy: Fights Alone Pimadiziwin Singers – Save The Last Round Dance For Me The Breeze Band – The Breeze Band The Crow Girls – Sleep is the Ocean BEST FEMALE ARTIST Fara Palmer – Phoenix Nicole – Deep Dreams Pura Fe’ – Hold The Rain Radmilla Cody – Precious Friends Star Nayea – Silenced My Tongue Tracy Bone – No Lies (2) BEST FOLK RECORDING Blue Moon – Terri Rivera Piatt & Lancy Goodman Nikawiy Askiy – Sandy Scofield Red Lodge – Danielle Egnew Where The Green Grass Grows – The Crow Girls (2) Wind of the North – Violet Naytovhow Wolfgirl – Arlette FLUTIST OF THE YEAR Jan Michael Looking Wolf – Unity JJ Kent – I Am Red Moontee Sinquah – Freedom Tim Yett – Creating Sacred Space Tommy Wildcat – Red Fire People Xavier Quijas Yxayotl – The Color of Morning BEST GOSPEL/INSPIRATIONAL RECORDING Heartbeat of the Creator – Kelly Montijo Fink I’ve Come Too Far To Look Back – Thelma Emerson Journeys Through The Mist – The Blessed Blend Precious Memories – Cherokee National Youth Choir Rise Up & Dance – RainSong: Terry & Darlene Wildman Singing Heavenly & Free – Joe Tohonnie Jr GROUP OF THE YEAR Blackfire – (Silence) Is A Weapon Brule’ & AIRO – Live At Mt. Rushmore Eagle & Hawk – Red Road Stories Native Roots – Celebrate Primeaux & Mike w/Xavier Quijas Yxayotl – The Color of Morning The Red Corn Band – Still No Good (2) BEST HISTORICAL RECORDING Chief Seattle Speaks 1854 – Red Hawk Journeys Through The Mist – The Blessed Blend (2) Oklahoma Style – Walter Ahhaitty & Friends Omeigwessi Reel Metis: A Tribute To Walter Flett – Omeigwessi Ensemble Precious Memories – Cherokee National Youth Choir BEST INSTRUMENTAL RECORDING Dream Scape: Spirit Maiden – Dream Scape Mirror Lake – Golana Sacred Land – Johnsy G The Whisper Spirit Progression – Larry Redhouse Unconquered – Injunuity York Boats & Legends – Ryan D’Aoust BEST MALE ARTIST Clinton Denny – Prayers For My Father Edmund Bull – Follow Your Dreams Exitwound: The Native Axeman – After The Storm J.C. Campbell – Lazy James Johnny Mike – My Spirit Soars Ken Quiet Hawk – The Story Tellers BEST NATIVE AMERICAN CHURCH RECORDING A Vision of Spiritual Blessing – Merlinda Woody First Light – Cheevers Toppah & Kevin Yazzie Humble Prayers – Denise Becenti Mourning Praise Unto Our Creator – Meewasin Oma New Beginning – Janelle Turtle The Four Directions – Delbert Blackhorse (2) BEST NEW AGE RECORDING A Crown of Stars – Blue Feather, Dunlap & Henke Deep Dreams – Nicole (2) Homeland Security – Carroll Medicine Crow (2) Kokyo – Devin Village Stone /Kiwamura Points of Origin – Anthony Wakeman & Mr Soon Voyagers – R Carlos Nakai, Udi Bar-David, Will Clipman BEST POP RECORDING Eye of the Tiger – Tiger Tiger In The Blood – Robert Mirabal Love Birds – Archie Cavanaugh Phoenix – Fara Palmer The Outsiders – Rezhogs Tribal Trance – Socie Saltwater BEST POW WOW RECORDING 5 Bucks Gas – 191 N. (2) Blue Scout – Tha Tribe Hear The Beat – Blackfoot Confederacy Honoring Women Veterans – Zotigh Singers Oklahoma Style – Walter Ahhaitty & Friends The Elk Way – Elk Soldier BEST PRODUCER Adrian Brown, Tim Sampson, Jonathon Joss – Still No Good Douglas Blue Feather – A Crown Of Stars Ed Stasium – (Silence) Is A Weapon JC Campbell, Tracy Bone, DJ St Germain- Lazy James Kelly Parker – Follow Your Dreams R. Carlos Nakai, Udi Bar-David, Robert Doyle – Voyagers BEST RAP HIP HOP RECORDING Blest With Skills – Blest One I Am Universal – Buggin Malone Loved & Hated – Nightshield Native American Hustle – Dago Braves Paranormal: The War Within – Maniac The Siouxpernatural Rez Life – Blu (2) RECORD OF THE YEAR (Silence) Is A Weapon – Blackfire Calling All Dancers – Northern Cree & Friends Express Yourself – Thee Express Mirror Lake - Golana Live At Mt. Rushmore – Brule’ & AIRO Train Train – Blackfoot BEST ROCK RECORDING (Silence) Is A Weapon – Blackfire Blues To Bluegrass – Jim Boyd Learning To Fly- Medicine Dream The Sun & The Earth – Stevie Salas Train Train – Blackfoot Wanted Alive – XIT SONG/SINGLE OF THE YEAR All Colors Together – RainSong Terry & Darlene Wildman Broken Dreams – Nightshield Going To Gathering – The Blessed Blend Hey Cuzzin’! – Cheryl Bear Sleep Is The Ocean – The Crow Girls Way of the Warrior – Medicine Dream SONGWRITER OF THE YEAR Alex E Smith, Cheevers Toppah, Nitanis “Kit” Landry – Harmony Nights Derek Mortland, Michael Joseph – Sketches In Time Lee & Stephen Tiger – Eye of The Tiger Michael Jeans – Leather & Feathers Star Nayea – Silenced My Tongue Vince Fontaine, Lawrence Mullhall – Red Road Stories BEST SPOKEN WORD RECORDING Artificial Red – Randy Kemp Chief Seattle Speaks 1854 – Red Hawk Distant Drums – Red Feather Woman Tales From The Lodge – Debra Morningstar The Story Tellers – Ken Quiet Hawk BEST TRADITIONAL RECORDING Brand New Day – Tanya Brown My Father’s Fire Dance Songs – Mary Smith Po’li – Clark Tenakhongva Rezmerized – Ryon Polequptena Traditional Navajo Shoe Songs –Gilbert Begay Sr Waiting With The Cellular – Navajo Nation Singers BEST SHORT FORM MUSIC VIDEO Brave New World – Robert Mirabal Dirty Water – Michael Bucher Drinking Song – Rezhogs The Enlightened Time – Jana Times We’ve Had – NDN Vision Quest - AIRO BEST LONG FORM MUSIC VIDEO Eye of the Tiger – Tiger Tiger Live At Mt Rushmore: Concert For Reconciliation of the Cultures – Brule’ & AIRO Live In Concert – Michael Searching Bear Our Land Our Life- Joanne Shenandoah The 8th Fire – Andy Pickard, Cindy Pickard, Tom Bee Train Train – Blackfoot BEST WORLD MUSIC RECORDING Celebrate – Native Roots Dream Scape: Spirit Maiden – Dreamscape Going Home – The Gathering Journeys Through The Mist – The Blessed Blend Sketches In Time – Derek Mortland, Michael Joseph Sounds of Beauty – Estun – Bah NATIVE HEART Ed Stasium – (Silence) Is A Weapon Jeff Ball – Shape of Light Jonny Lipford – Transitions: Out of the Flames & Into The Wind Peter Kater – Sacred Earth: Wind of the North Richard Stepp – The Sacred Journey William Hoshal – A Rumor of the Sun Nominees of the Tenth Annual Native American Music Awards will be selected by NAMA Advisory and Industry members by June 30th, 2008. Eligible recordings must have been commercially released from December 31, 2006 thru December 31, 2007. Winners will be determined through membership votes and a national voting campaign open to the general public through a listen and vote system on the Native American Music Awards website, www.nativeamericanmusicawards.com NOTE: A U.S. PASSPORT WILL BE REQUIRED TO ENTER THE CANADIAN BORDER TO SEE NIAGARA FALLS FROM THE CANADIAN SIDE. U.S. PASSPORTS MAY BE OBTAINED FROM YOUR LOCAL POST OFFICE AND TAKE AT LEAST 10 WEEKS FOR PROCESSING. CONTACT YOUR LOCAL POST OFFICE FOR MORE INFORMATION. For further information, call (212) 228-8300 or visit; www.senecaniagaracasino.com www.infoniagara.com www.city.niagarafalls.on.ca |
